Recent Commissions

A. Harvey Logo

final piece
One of my new clients, A.Harvey & Co. Ltd. had recently acquired some new cranes and commissioned a logo. They were looking for something in a naval crest style, and aside from nautical images were looking for strong thematic elements of safety, strength & reliability.

Skype was a great resource throughout this contract and allowed both face to face communication and real time mutual adjustments to the art, taking out all kinds of guess work & ensuring client satisfaction.

We worked from all kinds of ideas and sketches, mixing, matching, and tweaking concepts in staged revisions. The client had asked to incorporate the wheel, the banner, the ship, the crane, the crown and the Newfoundland flag all in this one image. That’s a lot of stuff but with methodical staging experiments I got a strong design plan.

I started with analogue drafting tools developing the line and ink work, then redrawing the lines in a vector based program to work the rest of the piece in a digital environment. Finally the client decided on a colour image & the shirts are being printed as I write this-I’ll be sure to include a photo when I get mine in the mail!

How did the client feel about the job?

“Ian was a pleasure to work with. He came well recommended by a trusted source and he didn’t disappoint.  He was very creative, offered lots of options and was open to suggestions. We will use his services in the future for sure”

Geoff Cunningham B.Comm
Director Offshore Operations
 A.Harvey & Co. Ltd.

Ford through the Ages

done
I was commissioned by Steele Ford Lincoln to design a mural for their waiting room in their dealership. They had a wide screen t.v. which is nice for people waiting on their vehicles, but it was surrounded by a huge blank white wall.

After several ideas and propositions we went with a “Ford through the ages” concept, choosing vehicles that really incorporated the zeitgeist of their era and positioning them around a speedometer that functioned instead as an odometer for the company, the images working around the television as a compositional anchor.

It involved a lot of research but I got the vehicles and their positions down pat and went to work. I painted in bold line work progressively filled in with washes of colour, touched off with chrome highlights that reveal shiny details in different viewing angles.

I can also now impress my friends with my car recognition abilities. (as long as it’s a Ford)